![]() Introducing CAEmitterLayer and CAEmitterCell If many animated copies of a single particle / image can be used to create an effect, you can create the effect using a particle system. You can also simulate a snow globe or confetti or … you-name-it. Apple’s animated “puff of smoke” image sequence – used to remove an application from the OS X dock – could be reimplemented more realistically as a particle system. Delicious Library, for example, famously consumes a book with a fire animation when you remove a book from your virtual bookshelf. They make great touches in productivity apps as well. They are often used to create smoke, explosions, and fire effects in games. Particle systems are fun visual candy to add to your apps. Try blending modes on Adjustment layers and add masks to them to create vignette effects.Īngie Taylor is an art director, motion graphic designer and author, as well as an accomplished speaker. Experiment by making your project 32-bit for higher quality, floating point colour compositing (using Color Finesse). You can use the colour effects like, Levels, Curves and Hue Saturation to create your own color treatments. ![]() When you’ve finished your animation, add an adjustment layer to it to add a final look and safe video levels to all the layers beneath it. Use the free Knoll Unmult plug-in (bit.ly/nmVW5U) if you need to composite layers without blending modes. The Add mode will remove all black pixels, leaving only the lightest pixels, great for lighting effects. Use blending modes to composite lens flares and other shiny effects top of video footage, these can be stock images or your own photographs. After Effects has 2D and 3D particle effects built in (Particle Playground, Foam, Shatter and CC Particle World). You can also use particle effects to add clouds, sparkles, bokeh and atmospheric effects to your animations to add depth and interest. When animating animals or birds, Instead of animating individual creatures, animate one or two and then use Particles to animate groups, swarms, herds or gaggles of them. Reduce the Scale property to about 99.5 percent to add perspective. Reduce the X and Y Position properties a little so you can’t see gaps between the repeated instances. Add an Operator and then increase the number to about 10. There’s no way to extrude 3D text in After Effects without plug-ins but you can make text look 3D by using the Repeater Path Operator on converted text to make the text appear three dimensional. There’s no need for keyframes either, simply adjust the Wiggles/Second value and the Transform properties attached to the Operators to fine-tune the automatic animation. Wiggle Paths to give the text a rougher edge. If you need to make your text stand out from the crowd use Shape Path Operators on them to give them a more personalized appearance Wiggle Transform will randomly adjust or animate the transform properties of individual characters. Here you can see the application of Multiple Strokes and Round Corners on the standard Helvetica Bold font. This opens up new creative possibilities allowing you to create all sorts of new and interesting effects and making the fonts more flexible. You can convert Text layers to Shape layers ( Layer > Create Shapes from Text). Angie Taylor reveals six routes to more creative animations for motion graphics, kinetic type and VFX Liven up your typeīored with your fonts? After Effects’ vector-based Shape layers include path operators with procedural qualities for vector distortion and animation.
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